
Serigraph in colors on paper. Published by AC Mazo - Paris. Printed by Silium. Reference: Benavides 447
'Sinvilag from the album Diam' by Victor Vasarely is a serigraph measuring 70 × 62 cm, from a hand-numbered edition. Six large cubic forms — each face tiled with a grid of red diamond shapes set within blue concentric square frames — interlock across a pale blue ground, their isometric geometry generating a persistent push-pull between flat surface and three-dimensional volume. The tonal gradation across each cube face, shifting from deep cobalt to pale sky blue, reinforces the illusion of light falling from a consistent direction. Vasarely, widely regarded as the leading figure of Op Art, built his practice on exactly this principle: that colour relationships and geometric precision, not pictorial representation, could produce optical sensation. 'Sinvilag' belongs to the 'Diam' album series of 1988, a body of print work that applies his signature cubic vocabulary to the serigraphic medium at scale.
Sinvilag from the album Diam, 1988
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Serigraph in colors on paper. Published by AC Mazo - Paris. Printed by Silium. Reference: Benavides 447
'Sinvilag from the album Diam' by Victor Vasarely is a serigraph measuring 70 × 62 cm, from a hand-numbered edition. Six large cubic forms — each face tiled with a grid of red diamond shapes set within blue concentric square frames — interlock across a pale blue ground, their isometric geometry generating a persistent push-pull between flat surface and three-dimensional volume. The tonal gradation across each cube face, shifting from deep cobalt to pale sky blue, reinforces the illusion of light falling from a consistent direction. Vasarely, widely regarded as the leading figure of Op Art, built his practice on exactly this principle: that colour relationships and geometric precision, not pictorial representation, could produce optical sensation. 'Sinvilag' belongs to the 'Diam' album series of 1988, a body of print work that applies his signature cubic vocabulary to the serigraphic medium at scale.
Victor Vasarely
Planetary Foklore Participations No. 1, 1969
Sculpture / Object
Installation
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Victor Vasarely
Hommage a Bach III, ca. 1980
Limited Edition Print
Etching and Aquatint
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.

Victor Vasarely
Sinvilag from the album Diam, 1988
70 x 62 cm

























































































