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Acrylic and Silkscreen Sculpture - Number FV 19-20 - Hand-signed by Vasarely in black ink - Edition Fondation Vasarely // Victor Vasarely's HOLLD (Moire Tower) (1990) is a striking acrylic and silkscreen sculpture that plays with optical illusions and the perception of movement. This tower-like structure, created as part of an edition by Fondation Vasarely, features meticulously arranged patterns that generate a moiré effect, creating waves and undulating shapes as the viewer shifts perspective. The transparency of the acrylic material allows light to pass through, enhancing the dynamic visual effect and giving the sculpture an ethereal quality. Hand-signed by Vasarely, this piece embodies the artist’s pioneering work in Op Art, emphasizing the interaction between form, light, and viewer movement to create a sense of depth and motion within a static object.
HOLLD (Moire tower), 1990
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Medium
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66.5 x 18 X 18 cm
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Details
Artist
Styles
Acrylic and Silkscreen Sculpture - Number FV 19-20 - Hand-signed by Vasarely in black ink - Edition Fondation Vasarely // Victor Vasarely's HOLLD (Moire Tower) (1990) is a striking acrylic and silkscreen sculpture that plays with optical illusions and the perception of movement. This tower-like structure, created as part of an edition by Fondation Vasarely, features meticulously arranged patterns that generate a moiré effect, creating waves and undulating shapes as the viewer shifts perspective. The transparency of the acrylic material allows light to pass through, enhancing the dynamic visual effect and giving the sculpture an ethereal quality. Hand-signed by Vasarely, this piece embodies the artist’s pioneering work in Op Art, emphasizing the interaction between form, light, and viewer movement to create a sense of depth and motion within a static object.
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Victor Vasarely
Hommage A Bach III, ca. 1980
Limited Edition Print
Etching And Aquatint
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
