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Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 5 channels the political heart of The Basque Suite through its charged palette. Two heavy black diagonal forms converge at the apex against a ground divided between deep green above and a red band below, a chromatic arrangement that evokes the Basque national colours. Splatter and gestural debris erupt in the triangular gap between the black masses, refusing compositional closure. The meeting of green, red, and black carries an unmistakable political resonance, extending Motherwell's lifelong engagement with the Spanish Civil War into the Basque struggle for self-determination. Printed on J.B.
Untitled 5 from The Basque Suite, 1970-71
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103.5 x 71.8 cm
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Details
Artist
Styles
Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 5 channels the political heart of The Basque Suite through its charged palette. Two heavy black diagonal forms converge at the apex against a ground divided between deep green above and a red band below, a chromatic arrangement that evokes the Basque national colours. Splatter and gestural debris erupt in the triangular gap between the black masses, refusing compositional closure. The meeting of green, red, and black carries an unmistakable political resonance, extending Motherwell's lifelong engagement with the Spanish Civil War into the Basque struggle for self-determination. Printed on J.B.
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