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Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 1 opens The Basque Suite with a bold declaration. Two black diagonal bars converge in the A-frame motif that will recur throughout the portfolio, here emerging from a warm orange-amber horizontal band that anchors the upper register. The black forms carry the textured, paint-laden weight characteristic of Motherwell's gesture, while faded grey gestural marks at the base suggest movement subsiding into stillness. The palette of orange and black establishes the suite's emotional register from its first plate: warmth tempered by gravity, colour grounded by dark form. Printed on J.B.
Untitled 1 from The Basque Suite, 1970-71
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103.5 x 71.8 cm
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Details
Artist
Styles
Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 1 opens The Basque Suite with a bold declaration. Two black diagonal bars converge in the A-frame motif that will recur throughout the portfolio, here emerging from a warm orange-amber horizontal band that anchors the upper register. The black forms carry the textured, paint-laden weight characteristic of Motherwell's gesture, while faded grey gestural marks at the base suggest movement subsiding into stillness. The palette of orange and black establishes the suite's emotional register from its first plate: warmth tempered by gravity, colour grounded by dark form. Printed on J.B.
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