Sam Francis

Untitled, 1984

106.7 X 73 inch

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Primal Sign I

Robert MOTHERWELL | Untitled (Gesture #6) | Etching available for sale on composition gallery

Monotype with etching ink on paper // Robert Motherwell's Untitled (#6) (1976) is a striking monotype with etching ink on paper, showcasing bold graphic imagery. This particular piece features a highly stylized revolver prominently displayed against a vibrant red background. The dotted hand holding the gun employs Ben-Day dots, a technique reminiscent of pop art, which adds a sense of texture and playfulness to the otherwise serious subject matter. The sharp contrast between the gun, the hand, and the red backdrop emphasizes the tension within the artwork, creating a powerful and confrontational image. On either side of the central image are calendars for the months of March and April, further integrating everyday life into the bold visual statement, typical of Motherwell’s ability to blend abstraction with recognizable objects in a thought-provoking way.

Artwork Copyright © Robert Motherwell

Untitled (Gesture #6), 1976

form

Medium

Edition

Monotype with etching ink on paper // Robert Motherwell's Untitled (#6) (1976) is a striking monotype with etching ink on paper, showcasing bold graphic imagery. This particular piece features a highly stylized revolver prominently displayed against a vibrant red background. The dotted hand holding the gun employs Ben-Day dots, a technique reminiscent of pop art, which adds a sense of texture and playfulness to the otherwise serious subject matter. The sharp contrast between the gun, the hand, and the red backdrop emphasizes the tension within the artwork, creating a powerful and confrontational image. On either side of the central image are calendars for the months of March and April, further integrating everyday life into the bold visual statement, typical of Motherwell’s ability to blend abstraction with recognizable objects in a thought-provoking way.

Artwork Copyright © Robert Motherwell

Robert Motherwell

Three Figures, 1989

Limited Edition Print

Lithograph

USD 30,000 - 40,000

Robert Motherwell

Untitled 23, 1988

Limited Edition Print

Lithograph

USD 1,390

Robert Motherwell

Red Wind, 1987

Limited Edition Print

Lithograph

USD 5,400

Robert Motherwell

Redness Of Red, 1985

Limited Edition Print

Mixed Media

Inquire For Price

Robert Motherwell

Red Sea I, 1976

Limited Edition Print

Mixed Media

USD 20,000 - 22,000

Robert Motherwell

Untitled, From The Basque Suite, 1971

Limited Edition Print

Screen-print

Inquire For Price

Robert Motherwell

Soot-Black Stone, #5, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Soot-Black Stone, #4, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Soot-Black Stone, #3, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Soot-Black Stone, #2, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Newport Opera, 1979

Limited Edition Print

Offset Print

USD 2,250

Robert Motherwell

Untitled (Gesture #6), 1976

Limited Edition Print

Etching

USD 11,900

Robert Motherwell

Primal Sign I, 1979-1980

Limited Edition Print

Etching And Aquatint

Inquire For Price

Robert Motherwell

The Paris Review, 1965

Limited Edition Print

Screen-print

USD 2,350

Robert Motherwell

Nocturne II (from Octavio Paz Suit), 1988

Limited Edition Print

Lithograph

USD 2,990

Robert Motherwell

Untitled B423 (from Octavio Paz Suit), 1988

Limited Edition Print

Lithograph

USD 2,990

Robert Motherwell

Harvest With Two White Stripes, 1973

Limited Edition Print

Lithograph

Inquire For Price

Robert Motherwell

Mask (for Ingmar Bergman), 1989

Limited Edition Print

Lithograph

Currently Not Available

Robert Motherwell

Wind (from Octavio Paz Suite), 1988

Limited Edition Print

Lithograph

Currently Not Available

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American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.

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