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Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // In Untitled 4, Motherwell pairs two dark brown-black diagonal bars that lean together in the A-frame configuration recurring through The Basque Suite, here set against a vivid green trapezoidal ground that rises to meet them. A small white-and-red gestural mark — almost cruciform — appears in the gap below the meeting point, a vital chromatic spark amid the restrained composition. The surrounding white paper breathes openly, lending the plate a spatial generosity absent from denser works in the portfolio.
Untitled 4 from The Basque Suite, 1970-71
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103.5 x 71.8 cm
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Details
Artist
Styles
Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // In Untitled 4, Motherwell pairs two dark brown-black diagonal bars that lean together in the A-frame configuration recurring through The Basque Suite, here set against a vivid green trapezoidal ground that rises to meet them. A small white-and-red gestural mark — almost cruciform — appears in the gap below the meeting point, a vital chromatic spark amid the restrained composition. The surrounding white paper breathes openly, lending the plate a spatial generosity absent from denser works in the portfolio.
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