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Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 2 is the most luminous and open composition in The Basque Suite. Two dark diagonal bars form the recurring A-frame motif against a light cerulean blue ground that fills the image area like a boundless sky. Nestled within the triangular gap beneath the apex, a brilliant deep ultramarine teardrop shape glows with concentrated intensity, creating a jewel-like focal point. A horizontal black bar anchors the base, grounding the airy composition. Where other plates in the suite convey mourning through density and darkness, this print achieves its elegiac quality through openness and breath. Printed on J.B.
Untitled 2 from The Basque Suite, 1970-71
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103.5 x 71.8 cm
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Details
Artist
Styles
Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 2 is the most luminous and open composition in The Basque Suite. Two dark diagonal bars form the recurring A-frame motif against a light cerulean blue ground that fills the image area like a boundless sky. Nestled within the triangular gap beneath the apex, a brilliant deep ultramarine teardrop shape glows with concentrated intensity, creating a jewel-like focal point. A horizontal black bar anchors the base, grounding the airy composition. Where other plates in the suite convey mourning through density and darkness, this print achieves its elegiac quality through openness and breath. Printed on J.B.
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