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Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 3 presents one of the suite's most imposing compositions: a dense black rectangular mass with dripping, visceral edges dominates the sheet, its surface broken by a central aperture that reveals a smaller dark rectangle within — a window looking into deeper darkness. A chimney-like protrusion rises from the upper right, lending the form an almost fortified architectural character. At the base, a bright green horizontal bar provides the sole chromatic relief, grounding the brooding black structure. The nearly monochrome palette intensifies the plate's solemn weight. Printed on J.B.
Untitled 3 from The Basque Suite, 1970-71
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Medium
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103.5 x 71.8 cm
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Details
Artist
Styles
Screenprint in colors on J.B. Green paper. Initialed in pencil and numbered. Published by Marlborough Graphics Inc., New York, and printed by Kelpra Studio, London, bearing the artist’s blindstamp. Literature: Engberg/Banach 79-88. Image: 56.5 × 43.5 cm (22 1/4 × 17 1/8 in). Sheet: 103.5 × 71.8 cm (40 3/4 × 28 1/4 in). // Untitled 3 presents one of the suite's most imposing compositions: a dense black rectangular mass with dripping, visceral edges dominates the sheet, its surface broken by a central aperture that reveals a smaller dark rectangle within — a window looking into deeper darkness. A chimney-like protrusion rises from the upper right, lending the form an almost fortified architectural character. At the base, a bright green horizontal bar provides the sole chromatic relief, grounding the brooding black structure. The nearly monochrome palette intensifies the plate's solemn weight. Printed on J.B.
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