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Sculpture Multiple (Plastic and Cardboard), signed and numbered 8.25 in. x 5 in. x 1.25 in. (20.96 cm x 12.7 cm x 3.18 cm) // Sans Titre by Jesús Rafael Soto, created in 2001, is an acrylic sculpture that embodies the artist’s interest in kinetic art and visual perception. The piece features a series of fine vertical black lines overlaid with an abstract black design that appears to shift and move as the viewer changes perspective. Below the intricate linear composition is a solid blue rectangle, creating a striking color contrast within the structured frame of white and black borders. This interplay of static and dynamic elements, achieved through plastic and cardboard materials, exemplifies Soto’s exploration of optical effects and spatial ambiguity. Measuring 20.96 x 12.7 x 3.18 cm, the sculpture invites viewers to engage actively, as slight shifts in angle reveal new visual experiences. Each piece in this limited edition of 280 is signed and numbered by the artist.
Sans Titre, 2001
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18 x 11 X 2.5 cm
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Details
Artist
Styles
Sculpture Multiple (Plastic and Cardboard), signed and numbered 8.25 in. x 5 in. x 1.25 in. (20.96 cm x 12.7 cm x 3.18 cm) // Sans Titre by Jesús Rafael Soto, created in 2001, is an acrylic sculpture that embodies the artist’s interest in kinetic art and visual perception. The piece features a series of fine vertical black lines overlaid with an abstract black design that appears to shift and move as the viewer changes perspective. Below the intricate linear composition is a solid blue rectangle, creating a striking color contrast within the structured frame of white and black borders. This interplay of static and dynamic elements, achieved through plastic and cardboard materials, exemplifies Soto’s exploration of optical effects and spatial ambiguity. Measuring 20.96 x 12.7 x 3.18 cm, the sculpture invites viewers to engage actively, as slight shifts in angle reveal new visual experiences. Each piece in this limited edition of 280 is signed and numbered by the artist.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
