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Presenza grafica, 1973 - Engraving and screen-print in four colors on Fabriano Rosaspina paper - Signature and numbering in pencil on the front - Dry stamp 2RC - Rome - Publisher and printer 2RC, Rome, in 80 copies and 15 artist proofs // Composición by Rafael Jesús Soto, created in 1971, is a striking example of the artist’s exploration of optical art and geometric abstraction. The work features a large blue circle that dominates the center of the composition, with a smaller concentric circle inside made up of fine horizontal lines. These lines create an optical illusion, evoking movement and depth. Across the central circular forms are horizontal bands in varying shades of black and white, further emphasizing a sense of dynamism and vibration. Soto’s use of contrasting colors and lines creates a visual interaction between space and form, a hallmark of his kinetic and optical art. This silkscreen print exemplifies Soto's mastery in manipulating visual perception, drawing the viewer into a constantly shifting and engaging visual experience.
Composición, 1971
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94 x 93.5 cm
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Details
Artist
Styles
Presenza grafica, 1973 - Engraving and screen-print in four colors on Fabriano Rosaspina paper - Signature and numbering in pencil on the front - Dry stamp 2RC - Rome - Publisher and printer 2RC, Rome, in 80 copies and 15 artist proofs // Composición by Rafael Jesús Soto, created in 1971, is a striking example of the artist’s exploration of optical art and geometric abstraction. The work features a large blue circle that dominates the center of the composition, with a smaller concentric circle inside made up of fine horizontal lines. These lines create an optical illusion, evoking movement and depth. Across the central circular forms are horizontal bands in varying shades of black and white, further emphasizing a sense of dynamism and vibration. Soto’s use of contrasting colors and lines creates a visual interaction between space and form, a hallmark of his kinetic and optical art. This silkscreen print exemplifies Soto's mastery in manipulating visual perception, drawing the viewer into a constantly shifting and engaging visual experience.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
