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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.
Variants IV, from Ten Variants, 1966
form
Medium
Size
43.2 x 43.2 cm
- Inches
- Centimeters
Edition
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Details
Artist
Styles
Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.
