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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.
Variants IV, from Ten Variants, 1966
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Medium
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43.2 x 43.2 cm
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Details
Artist
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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.
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