Sam Francis

Untitled, 1984

106.7 X 73 inch

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Variants I, from Ten Variants

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GB 2 (From Homage to the Square)

Josef Albers's Variants IV, screen print, features nested rectangles in shades of blue, gray, and black, exploring color perception.

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.

Artwork Copyright © Josef Albers

Variants IV, from Ten Variants, 1966

form

Medium

Edition

Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers's Variants IV, from Ten Variants (1966) is a screen print that exemplifies his mastery in exploring color relationships and geometric abstraction. This piece, printed on Rives BFK paper, features a structured composition of nested rectangles in various shades of blue, gray, and black. The use of precise shapes and tonal gradation creates a sense of depth and dimensionality, making the flat image appear almost three-dimensional. Albers's approach focuses on the interaction of colors and their effect on perception, inviting the viewer to engage with the visual shifts and optical illusions created by the overlapping forms. This limited edition print, signed, titled, dated, and numbered, was published by Ives-Sillman, Inc. and bears their blindstamp, reflecting the artist's dedication to precision and form.

Artwork Copyright © Josef Albers

Josef Albers

JHM-I, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

JHM-II, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

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What is concrete art?

Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.

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