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Screenprint in colors, on Rives BFK paper. Signed, Titled, Dated and Numbered. Variants-III (1966) by Josef Albers belongs to his Ten Variants series, a continuation of his lifelong investigation into color relationships and spatial perception. This screenprint employs a subdued palette of greys and muted greens arranged in rectilinear forms that appear to recede and advance on the surface. Albers manipulates the viewer’s perception through the precise arrangement of form and tone, evoking depth within flatness. Rooted in the Bauhaus tradition, this print exemplifies his systematic approach to abstraction, where subtle shifts in color provoke dynamic visual effects.
Variants-III (from the Ten Variants Series), 1966
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43.2 x 43.2 cm
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Details
Artist
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Screenprint in colors, on Rives BFK paper. Signed, Titled, Dated and Numbered. Variants-III (1966) by Josef Albers belongs to his Ten Variants series, a continuation of his lifelong investigation into color relationships and spatial perception. This screenprint employs a subdued palette of greys and muted greens arranged in rectilinear forms that appear to recede and advance on the surface. Albers manipulates the viewer’s perception through the precise arrangement of form and tone, evoking depth within flatness. Rooted in the Bauhaus tradition, this print exemplifies his systematic approach to abstraction, where subtle shifts in color provoke dynamic visual effects.
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Josef Albers
Variants-III (from The Ten Variants Series), 1966
Limited Edition Print
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
