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Screenprint in colors, on Rives BFK paper. Signed, Titled, Dated and Numbered. Variants-III (1966) by Josef Albers belongs to his Ten Variants series, a continuation of his lifelong investigation into color relationships and spatial perception. This screenprint employs a subdued palette of greys and muted greens arranged in rectilinear forms that appear to recede and advance on the surface. Albers manipulates the viewer’s perception through the precise arrangement of form and tone, evoking depth within flatness. Rooted in the Bauhaus tradition, this print exemplifies his systematic approach to abstraction, where subtle shifts in color provoke dynamic visual effects.
Variants-III (from the Ten Variants Series), 1966
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43.2 x 43.2 cm
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Details
Artist
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Screenprint in colors, on Rives BFK paper. Signed, Titled, Dated and Numbered. Variants-III (1966) by Josef Albers belongs to his Ten Variants series, a continuation of his lifelong investigation into color relationships and spatial perception. This screenprint employs a subdued palette of greys and muted greens arranged in rectilinear forms that appear to recede and advance on the surface. Albers manipulates the viewer’s perception through the precise arrangement of form and tone, evoking depth within flatness. Rooted in the Bauhaus tradition, this print exemplifies his systematic approach to abstraction, where subtle shifts in color provoke dynamic visual effects.
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Josef Albers
Variants-III (from The Ten Variants Series), 1966
Limited Edition Print
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What is minimalism?
Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.
