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Screenprint in colors, on Rives BFK paper. Signed, Titled, Dated and Numbered. Variants-III (1966) by Josef Albers belongs to his Ten Variants series, a continuation of his lifelong investigation into color relationships and spatial perception. This screenprint employs a subdued palette of greys and muted greens arranged in rectilinear forms that appear to recede and advance on the surface. Albers manipulates the viewer’s perception through the precise arrangement of form and tone, evoking depth within flatness. Rooted in the Bauhaus tradition, this print exemplifies his systematic approach to abstraction, where subtle shifts in color provoke dynamic visual effects.
Variants-III (from the Ten Variants Series), 1966
form
Medium
Size
43.2 x 43.2 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Screenprint in colors, on Rives BFK paper. Signed, Titled, Dated and Numbered. Variants-III (1966) by Josef Albers belongs to his Ten Variants series, a continuation of his lifelong investigation into color relationships and spatial perception. This screenprint employs a subdued palette of greys and muted greens arranged in rectilinear forms that appear to recede and advance on the surface. Albers manipulates the viewer’s perception through the precise arrangement of form and tone, evoking depth within flatness. Rooted in the Bauhaus tradition, this print exemplifies his systematic approach to abstraction, where subtle shifts in color provoke dynamic visual effects.
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Josef Albers
Variants-III (from The Ten Variants Series), 1966
Limited Edition Print
Screen-print
Inquire For Price
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.
