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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers’s Variants III, from Ten Variants (1966) is a screen print that exemplifies his exploration of color theory and geometric abstraction. Printed on Rives BFK paper, the composition uses various shades of gray and white in overlapping rectangular forms. The subtle gradations and precise placement of each shape create an optical effect that plays with depth and perspective, drawing the viewer’s eye inward. Albers's meticulous arrangement and the controlled use of color illustrate his mastery in creating dynamic visual experiences through minimalistic means. This limited edition print is signed, titled, dated, and numbered, showcasing his continued influence within the Bauhaus movement and beyond.
Variants III, from Ten Variants, 1966
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43.2 x 43.2 cm
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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers’s Variants III, from Ten Variants (1966) is a screen print that exemplifies his exploration of color theory and geometric abstraction. Printed on Rives BFK paper, the composition uses various shades of gray and white in overlapping rectangular forms. The subtle gradations and precise placement of each shape create an optical effect that plays with depth and perspective, drawing the viewer’s eye inward. Albers's meticulous arrangement and the controlled use of color illustrate his mastery in creating dynamic visual experiences through minimalistic means. This limited edition print is signed, titled, dated, and numbered, showcasing his continued influence within the Bauhaus movement and beyond.
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Josef Albers
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I-S VA 4 (from Six Variants Suite), 1969
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GB 2 (From Homage To The Square), 1969
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Josef Albers
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.
