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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers' Variants II, from Ten Variants (1966) is a screenprint on Rives BFK paper, measuring 43.2 x 43.2 cm. This print showcases Albers' exploration of color relationships through geometric abstraction. The composition is structured with overlapping rectangular shapes in a harmonious palette of green, yellow, blue, and white. The translucent layers create an optical play, as the colors interact and form new shades where they intersect. Albers’ precise and calculated approach highlights his interest in how colors shift in perception based on their context. The work exemplifies his mastery in balancing form and hue to produce a sense of depth and dynamic movement within a minimalist framework.
Variants II, from Ten Variants, 1966
form
Medium
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43.2 x 43.2 cm
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Details
Artist
Styles
Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers' Variants II, from Ten Variants (1966) is a screenprint on Rives BFK paper, measuring 43.2 x 43.2 cm. This print showcases Albers' exploration of color relationships through geometric abstraction. The composition is structured with overlapping rectangular shapes in a harmonious palette of green, yellow, blue, and white. The translucent layers create an optical play, as the colors interact and form new shades where they intersect. Albers’ precise and calculated approach highlights his interest in how colors shift in perception based on their context. The work exemplifies his mastery in balancing form and hue to produce a sense of depth and dynamic movement within a minimalist framework.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.