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Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers’ Variants I, from Ten Variants (1966) is a screen print that highlights his mastery of color theory and minimalistic geometry. This piece, printed on Rives BFK paper, is part of a series that explores the subtle variations in color perception through simple rectangular forms. The composition consists of nested rectangles in different shades of yellow and ochre, creating an optical illusion of depth and dimension. The strategic arrangement of colors and shapes engages the viewer, inviting them to experience the interplay of light and color shift. Published by Ives-Sillman, Inc. in New Haven, the piece is signed, titled, dated, and numbered, emphasizing its authenticity and importance in Albers’ exploration of visual perception.
Variants I, from Ten Variants, 1966
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Medium
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43.2 x 43.2 cm
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Details
Artist
Styles
Screenprint in colors, on Rives BFK paper - Signed, Titled, Dated and Numbered - Published by Ives-Sillman, Inc., New Haven (with their blindstamp) // Josef Albers’ Variants I, from Ten Variants (1966) is a screen print that highlights his mastery of color theory and minimalistic geometry. This piece, printed on Rives BFK paper, is part of a series that explores the subtle variations in color perception through simple rectangular forms. The composition consists of nested rectangles in different shades of yellow and ochre, creating an optical illusion of depth and dimension. The strategic arrangement of colors and shapes engages the viewer, inviting them to experience the interplay of light and color shift. Published by Ives-Sillman, Inc. in New Haven, the piece is signed, titled, dated, and numbered, emphasizing its authenticity and importance in Albers’ exploration of visual perception.
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Josef Albers
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