
Details
Artist
Styles
Color Screenprint - Signed, Dated, and Titled // Josef Albers’s Untitled (Never Before J) (1976) is a screen print that exemplifies his geometric abstraction and meticulous use of color. The composition features overlapping planes in shades of pink, beige, and red, creating a three-dimensional effect that plays with depth and perspective. The work showcases Albers’s mastery in color theory, as the variations in hue and saturation create an illusion of light and shadow. The clean lines and precise shapes are characteristic of his approach to form and structure, emphasizing simplicity and the interaction between colors. This limited edition print is signed, dated, and titled by the artist, highlighting Albers’s continued exploration of spatial relationships through minimalistic and abstract design.
Untitled (Never Before J), 1976
form
Medium
Size
48.3 x 50.8 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Color Screenprint - Signed, Dated, and Titled // Josef Albers’s Untitled (Never Before J) (1976) is a screen print that exemplifies his geometric abstraction and meticulous use of color. The composition features overlapping planes in shades of pink, beige, and red, creating a three-dimensional effect that plays with depth and perspective. The work showcases Albers’s mastery in color theory, as the variations in hue and saturation create an illusion of light and shadow. The clean lines and precise shapes are characteristic of his approach to form and structure, emphasizing simplicity and the interaction between colors. This limited edition print is signed, dated, and titled by the artist, highlighting Albers’s continued exploration of spatial relationships through minimalistic and abstract design.
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Josef Albers
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Limited Edition Print
Screen-print
USD 5,000 - 7,000
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GB 2 (From Homage To The Square), 1969
Limited Edition Print
Screen-print
Currently Not Available
Josef Albers
Concord (From Dei Oberflache), 1965
Limited Edition Print
Screen-print
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.