Sam Francis

Untitled, 1984

106.7 X 73 inch

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Variants-III (from the Ten Variants Series)

Josef Albers JHM-II screenprint with nested red and orange squares on white background exploring color perception.

From the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio. Color Screenprint on German Etching paper. Signed, Dated and Numbered. Published by Ives-Sillman, Inc., New Haven and produced for HLK Ltd., Boston and Parasol Press, New York on behalf of the Hirshhorn Museum and Sculpture Garden, Washington, D.C. Cat. Raisonne: Danilowitz 2010, no. 224.1 JHM-II by Josef Albers, created in 1973, is a color screenprint from the portfolio Josef Albers Honors the Hirshhorn Museum and Sculpture Garden. This work exemplifies Albers’ renowned Homage to the Square series, featuring nested squares in tonal variations of red and orange. The precise arrangement and interaction of color aim to explore perception, depth, and spatial relationships. Albers’ minimalist composition invites viewers to experience how colors shift based on context. Printed on German Etching paper in an edition of 144, the work reflects Albers’ commitment to the study of color theory and visual harmony.

Artwork Copyright © Josef Albers

JHM-II, 1973

form

Medium

Edition

From the Josef Albers Honors the Hirshhorn Museum and Sculpture Garden portfolio. Color Screenprint on German Etching paper. Signed, Dated and Numbered. Published by Ives-Sillman, Inc., New Haven and produced for HLK Ltd., Boston and Parasol Press, New York on behalf of the Hirshhorn Museum and Sculpture Garden, Washington, D.C. Cat. Raisonne: Danilowitz 2010, no. 224.1 JHM-II by Josef Albers, created in 1973, is a color screenprint from the portfolio Josef Albers Honors the Hirshhorn Museum and Sculpture Garden. This work exemplifies Albers’ renowned Homage to the Square series, featuring nested squares in tonal variations of red and orange. The precise arrangement and interaction of color aim to explore perception, depth, and spatial relationships. Albers’ minimalist composition invites viewers to experience how colors shift based on context. Printed on German Etching paper in an edition of 144, the work reflects Albers’ commitment to the study of color theory and visual harmony.

Artwork Copyright © Josef Albers

Josef Albers

JHM-I, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

JHM-II, 1973

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

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What is concrete art?

Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.

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