Sam Francis

Untitled, 1984

106.7 X 73 inch

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Homage to Square

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Concord (From Dei Oberflache)

Josef Albers's GB 2 (From Homage to the Square), 1969 screen print, features nested red and orange squares on German etching paper.

Screenprint on German etching paper - Signed, Titled and Dated // GB 2 (From Homage to the Square) by Josef Albers, created in 1969, is a screen print from the artist’s iconic Homage to the Square series. This limited edition piece is printed on German etching paper and features a composition of nested squares in varying shades of red and orange, meticulously arranged to explore the relationship between color and form. Albers' precise use of geometric shapes emphasizes how colors interact with one another, affecting the viewer's perception of depth and space. The simplicity of the squares contrasts with the complex optical effects generated by the color combinations. Albers, a master of color theory, used his Homage to the Square series to demonstrate how adjacent colors can dramatically influence the appearance of each hue. This screen print is signed, titled, and dated, marking it as a carefully crafted example of Albers’ exploration of minimalism and color interaction in abstract art.

Artwork Copyright © Josef Albers

GB 2 (From Homage to the Square), 1969

form

Medium

Edition

Screenprint on German etching paper - Signed, Titled and Dated // GB 2 (From Homage to the Square) by Josef Albers, created in 1969, is a screen print from the artist’s iconic Homage to the Square series. This limited edition piece is printed on German etching paper and features a composition of nested squares in varying shades of red and orange, meticulously arranged to explore the relationship between color and form. Albers' precise use of geometric shapes emphasizes how colors interact with one another, affecting the viewer's perception of depth and space. The simplicity of the squares contrasts with the complex optical effects generated by the color combinations. Albers, a master of color theory, used his Homage to the Square series to demonstrate how adjacent colors can dramatically influence the appearance of each hue. This screen print is signed, titled, and dated, marking it as a carefully crafted example of Albers’ exploration of minimalism and color interaction in abstract art.

Artwork Copyright © Josef Albers

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

I-S VA 4 (from Six Variants Suite), 1969

Limited Edition Print

Screen-print

USD 5,000 - 7,000

Josef Albers

Homage To Square, 1971

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

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What is geometric abstract art?

Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.

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