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Color Screenprint on Mohawk Superfine Bristol paper - Signed, Dated and Titled - Printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven - Cat. Ras: Danilowitz, 167.1-5 // Josef Albers's Concord (From Dei Oberflache) (1965) is a color screen-print on Mohawk Superfine Bristol paper, measuring 12.2 x 12.2 cm. This piece is a part of Albers’s celebrated Homage to the Square series, where concentric squares in carefully chosen colors explore the interaction of hues. In this work, earthy tones of orange, yellow, and olive green form a harmonious yet subtly shifting composition. Albers’s precision in color choice creates optical effects that challenge the viewer’s perception of space and depth. The work reflects Albers’s lifelong commitment to understanding the relationships between color, form, and perception.
Concord (From Dei Oberflache), 1965
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31 x 31 cm
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Color Screenprint on Mohawk Superfine Bristol paper - Signed, Dated and Titled - Printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven - Cat. Ras: Danilowitz, 167.1-5 // Josef Albers's Concord (From Dei Oberflache) (1965) is a color screen-print on Mohawk Superfine Bristol paper, measuring 12.2 x 12.2 cm. This piece is a part of Albers’s celebrated Homage to the Square series, where concentric squares in carefully chosen colors explore the interaction of hues. In this work, earthy tones of orange, yellow, and olive green form a harmonious yet subtly shifting composition. Albers’s precision in color choice creates optical effects that challenge the viewer’s perception of space and depth. The work reflects Albers’s lifelong commitment to understanding the relationships between color, form, and perception.
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Currently Not Available
Josef Albers
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Screen-print
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Josef Albers
Concord (From Dei Oberflache), 1965
Limited Edition Print
Screen-print
Currently Not Available
Josef Albers
Homage To The Square, 1970
Limited Edition Print
Screen-print
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Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.
