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Bronze sculpture on marble base - signed and numbered by the artist // Arman Fernandez's Trompettes découpées (1989) is a bronze sculpture mounted on a marble base, measuring 60 x 28 x 25 cm. This work exemplifies Arman's signature approach of transforming everyday objects into art by deconstructing and reassembling them. Here, he dissects multiple trumpets, arranging their parts into an abstract, layered composition. The complex structure highlights the brass instrument’s forms and lines, blending musical and sculptural elements. Arman, a key figure in the Nouveau Réalisme movement, captures the tension between functionality and artistic reinterpretation, inviting viewers to see ordinary objects through a new, artistic lens.
Trompettes découpées, 1989
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60 x 28 X 25 cm
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Details
Artist
Styles
Bronze sculpture on marble base - signed and numbered by the artist // Arman Fernandez's Trompettes découpées (1989) is a bronze sculpture mounted on a marble base, measuring 60 x 28 x 25 cm. This work exemplifies Arman's signature approach of transforming everyday objects into art by deconstructing and reassembling them. Here, he dissects multiple trumpets, arranging their parts into an abstract, layered composition. The complex structure highlights the brass instrument’s forms and lines, blending musical and sculptural elements. Arman, a key figure in the Nouveau Réalisme movement, captures the tension between functionality and artistic reinterpretation, inviting viewers to see ordinary objects through a new, artistic lens.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
