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Original lithograph on Arches paper; Hand signed by the artist; Suite of Artistry Dentistry // Gothic by Arman Fernandez is a dynamic lithograph created in 1977, part of a limited edition suite. In this piece, Fernandez employs his signature approach of repetitive forms, using an array of scissors to create a dense, almost hypnotic composition. The scissors, depicted in various overlapping shades of black, red, and gray, form a rhythmic pattern that draws attention to the nuances of line, shape, and repetition. The sharp edges and pointed shapes evoke a sense of tension, while the layering creates a sense of depth and movement. Printed on high-quality Arches paper, the piece is hand-signed by the artist, highlighting its originality. Gothic exemplifies Fernandez’s fascination with everyday objects transformed into powerful visual symbols.
Gothic, 1977
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55.9 x 43.2 cm
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Details
Artist
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Original lithograph on Arches paper; Hand signed by the artist; Suite of Artistry Dentistry // Gothic by Arman Fernandez is a dynamic lithograph created in 1977, part of a limited edition suite. In this piece, Fernandez employs his signature approach of repetitive forms, using an array of scissors to create a dense, almost hypnotic composition. The scissors, depicted in various overlapping shades of black, red, and gray, form a rhythmic pattern that draws attention to the nuances of line, shape, and repetition. The sharp edges and pointed shapes evoke a sense of tension, while the layering creates a sense of depth and movement. Printed on high-quality Arches paper, the piece is hand-signed by the artist, highlighting its originality. Gothic exemplifies Fernandez’s fascination with everyday objects transformed into powerful visual symbols.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
