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Lithograph on Arches paper - Hand-signed by the artist and numbered // Arman Fernandez’s 'Rien ne bat plus' (1977) is a striking lithograph that showcases his exploration of repetition and abstraction. The composition is dominated by overlapping shapes that resemble stylized forms of stethoscopes or medical instruments, arranged in sweeping arcs of blue, brown, and black on a white background. The chaotic layering and intertwining of the forms create a sense of movement and rhythm, while the bold, contrasting colors add a dynamic intensity to the piece. The title, which translates to 'Nothing Beats Anymore,' adds a poignant element, possibly alluding to themes of life, vitality, or the cessation thereof. As with many of Arman’s works, this piece transforms everyday objects into a visually engaging abstraction, inviting the viewer to consider the interplay between function and art.
Rien ne bat plus, 1977
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56 x 43 cm
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Details
Artist
Styles
Lithograph on Arches paper - Hand-signed by the artist and numbered // Arman Fernandez’s 'Rien ne bat plus' (1977) is a striking lithograph that showcases his exploration of repetition and abstraction. The composition is dominated by overlapping shapes that resemble stylized forms of stethoscopes or medical instruments, arranged in sweeping arcs of blue, brown, and black on a white background. The chaotic layering and intertwining of the forms create a sense of movement and rhythm, while the bold, contrasting colors add a dynamic intensity to the piece. The title, which translates to 'Nothing Beats Anymore,' adds a poignant element, possibly alluding to themes of life, vitality, or the cessation thereof. As with many of Arman’s works, this piece transforms everyday objects into a visually engaging abstraction, inviting the viewer to consider the interplay between function and art.
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What is Art Nucleare?
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.