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Lithograph on Arches paper - Hand-signed by the artist and numbered // Arman Fernandez's 'Aesculapius Hammer' is a 1977 lithograph that exemplifies his fascination with repetition and the deconstruction of everyday objects. The image features multiple overlapping prints of hammers arranged in a semi-circular, almost fan-like pattern. Rendered in bold strokes of black, blue, and green, the hammers seem to cascade across the composition, creating a sense of movement and rhythm. The title references Aesculapius, the Greek god of medicine, suggesting a deeper connection to healing tools, possibly indicating the medical hammer used in reflex tests. Arman's signature style of using repetition transforms the mundane object into an abstract, dynamic composition, reflecting his exploration of the intersection between art and functionality.
Aesculapius hammer, 1977
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56 x 43 cm
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Details
Artist
Styles
Lithograph on Arches paper - Hand-signed by the artist and numbered // Arman Fernandez's 'Aesculapius Hammer' is a 1977 lithograph that exemplifies his fascination with repetition and the deconstruction of everyday objects. The image features multiple overlapping prints of hammers arranged in a semi-circular, almost fan-like pattern. Rendered in bold strokes of black, blue, and green, the hammers seem to cascade across the composition, creating a sense of movement and rhythm. The title references Aesculapius, the Greek god of medicine, suggesting a deeper connection to healing tools, possibly indicating the medical hammer used in reflex tests. Arman's signature style of using repetition transforms the mundane object into an abstract, dynamic composition, reflecting his exploration of the intersection between art and functionality.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
