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Bronze sculpture on marble base // Arman Fernandez’s Venus au Violon (1991) is a bronze sculpture standing 71 cm high and set on a marble base. This artwork reimagines the classical figure of Venus intertwined with the form of a violin, blending human anatomy with musical elements. The bronze patina provides a warm, aged finish, contrasting with the polished metal of the violin parts, which seamlessly merge with the figure’s body. This fusion of object and form reflects Arman’s fascination with deconstructing and recontextualizing familiar items. The sculpture conveys a sense of harmony between art and music, encapsulating Arman’s unique approach to Nouveau Réalisme, where everyday objects are elevated into thought-provoking compositions.
Venus au Violon, 1991
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71 x 15 X 15 cm
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Bronze sculpture on marble base // Arman Fernandez’s Venus au Violon (1991) is a bronze sculpture standing 71 cm high and set on a marble base. This artwork reimagines the classical figure of Venus intertwined with the form of a violin, blending human anatomy with musical elements. The bronze patina provides a warm, aged finish, contrasting with the polished metal of the violin parts, which seamlessly merge with the figure’s body. This fusion of object and form reflects Arman’s fascination with deconstructing and recontextualizing familiar items. The sculpture conveys a sense of harmony between art and music, encapsulating Arman’s unique approach to Nouveau Réalisme, where everyday objects are elevated into thought-provoking compositions.
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Sculpture / Object
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
