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Arman’s Concerto de peinture (1991) is a mixed media work on plexiglass that transforms everyday paint tubes into a rhythmic visual composition. Five tubes are aligned at the top, each releasing a flowing stream of vividly colored paint—black, blue, red, yellow, and white—that cascades downward in controlled, sculptural lines. The work reflects Arman’s interest in accumulation and repetition, central to his practice and linked to the Nouveau Réalisme movement. By fixing the gesture of paint in a permanent form, the piece captures both the act of creation and its material residue. The transparent plexiglass enhances the sense of suspension, giving the composition a dynamic, almost musical cadence.
Concerto de peinture, 1991
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Medium
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55 x 42 X 4 cm
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Details
Artist
Styles
Arman’s Concerto de peinture (1991) is a mixed media work on plexiglass that transforms everyday paint tubes into a rhythmic visual composition. Five tubes are aligned at the top, each releasing a flowing stream of vividly colored paint—black, blue, red, yellow, and white—that cascades downward in controlled, sculptural lines. The work reflects Arman’s interest in accumulation and repetition, central to his practice and linked to the Nouveau Réalisme movement. By fixing the gesture of paint in a permanent form, the piece captures both the act of creation and its material residue. The transparent plexiglass enhances the sense of suspension, giving the composition a dynamic, almost musical cadence.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
