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Screenprint on Skivertex leather chessboard - In excellent condition - Hand signed and numbered by Arman // Chessboard in Hommage to Marcel Duchamp's L.H.O.O.Q. by Arman Fernandez is a limited edition screen-print created in 1973. This work, designed as a chessboard, pays tribute to Duchamp’s infamous artwork, known for challenging artistic norms and playing with humor and satire. Each square on the board alternates between brown and beige tones, filled with variations of mustaches and beards, echoing the iconic addition Duchamp made to the Mona Lisa in L.H.O.O.Q. The repeating motif of facial hair across the grid creates a whimsical pattern that invites viewers to ponder themes of identity, irreverence, and the playful subversion of art history. By reinterpreting the chessboard, Arman celebrates Duchamp’s legacy of questioning conventional art.
Chessboard in Hommage to Marcel Duchamp's L.H.O.O.Q., 1973
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40.6 x 40.6 cm
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Screenprint on Skivertex leather chessboard - In excellent condition - Hand signed and numbered by Arman // Chessboard in Hommage to Marcel Duchamp's L.H.O.O.Q. by Arman Fernandez is a limited edition screen-print created in 1973. This work, designed as a chessboard, pays tribute to Duchamp’s infamous artwork, known for challenging artistic norms and playing with humor and satire. Each square on the board alternates between brown and beige tones, filled with variations of mustaches and beards, echoing the iconic addition Duchamp made to the Mona Lisa in L.H.O.O.Q. The repeating motif of facial hair across the grid creates a whimsical pattern that invites viewers to ponder themes of identity, irreverence, and the playful subversion of art history. By reinterpreting the chessboard, Arman celebrates Duchamp’s legacy of questioning conventional art.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
