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Arman’s Concerto de peinture (1991) is a mixed media work on plexiglass that transforms everyday paint tubes into a rhythmic visual composition. Five tubes are aligned at the top, each releasing a flowing stream of vividly colored paint—black, blue, red, yellow, and white—that cascades downward in controlled, sculptural lines. The work reflects Arman’s interest in accumulation and repetition, central to his practice and linked to the Nouveau Réalisme movement. By fixing the gesture of paint in a permanent form, the piece captures both the act of creation and its material residue. The transparent plexiglass enhances the sense of suspension, giving the composition a dynamic, almost musical cadence.
Concerto de peinture, 1991
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Medium
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55 x 42 X 4 cm
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Details
Artist
Styles
Arman’s Concerto de peinture (1991) is a mixed media work on plexiglass that transforms everyday paint tubes into a rhythmic visual composition. Five tubes are aligned at the top, each releasing a flowing stream of vividly colored paint—black, blue, red, yellow, and white—that cascades downward in controlled, sculptural lines. The work reflects Arman’s interest in accumulation and repetition, central to his practice and linked to the Nouveau Réalisme movement. By fixing the gesture of paint in a permanent form, the piece captures both the act of creation and its material residue. The transparent plexiglass enhances the sense of suspension, giving the composition a dynamic, almost musical cadence.
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What is dada?
Also known as Dadaism, Dada was a literary and artistic movement that began in 1916 in Zurich, Switzerland. It emerged as a rejection of rationalism and nationalism, which were seen as contributing factors to World War I. The movement had political undertones and was strongly anti-war. Dada activities included demonstrations, gatherings, and the publication of literary and art journals that explored cultural and political topics.
