Sam Francis

Untitled, 1984

106.7 X 73 inch

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In The Bottom of my Garden IV.90A

Andy Warhol's Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), II.318, 1984, screenprint, reinterprets Botticelli's Venus with vibrant neon colors and simplified lines.

Screenprint on Arches Aquarelle (Cold Pressed) paper - Unsigned and unauthenticated. // Andy Warhol's Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), II.318 (1984) is a screenprint that reinterprets one of the most iconic images in art history through Warhol’s distinctive pop art lens. This print focuses on the famous head of Venus from Botticelli’s Birth of Venus, using bold colors and simplified lines. Warhol transforms the classical beauty of the Renaissance painting into a modern, vibrant image by incorporating neon hues, such as orange and pink, contrasting with deep blacks and soft pastels. The flowing hair of Venus is accentuated with energetic brushstrokes, making the image simultaneously elegant and contemporary.

Artwork Copyright © Andy Warhol

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), II.318, 1984

form

Medium

Edition

Screenprint on Arches Aquarelle (Cold Pressed) paper - Unsigned and unauthenticated. // Andy Warhol's Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), II.318 (1984) is a screenprint that reinterprets one of the most iconic images in art history through Warhol’s distinctive pop art lens. This print focuses on the famous head of Venus from Botticelli’s Birth of Venus, using bold colors and simplified lines. Warhol transforms the classical beauty of the Renaissance painting into a modern, vibrant image by incorporating neon hues, such as orange and pink, contrasting with deep blacks and soft pastels. The flowing hair of Venus is accentuated with energetic brushstrokes, making the image simultaneously elegant and contemporary.

Artwork Copyright © Andy Warhol

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Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.

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