Sam Francis

Untitled, 1984

106.7 X 73 inch

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Flowers, II.68

Andy WARHOL | Daily News ('LBJ to Kremlin – Y'all'Come') | Silkscreen  available for sale on composition gallery
Andy WARHOL | Daily News ('LBJ to Kremlin – Y'all'Come') | Silkscreen  available for sale on composition gallery
Andy WARHOL | Daily News ('LBJ to Kremlin – Y'all'Come') | Silkscreen  available for sale on composition gallery

– Medium: Silkscreen print in Day-Glo colours on wove paper – Dimensions: 127.1×76.5cm (50×30.25 in.)—full sheet – Edition of 35, not numbered or signed—each impression carries estate stamp on the verso – Production: Printed at Warhol’s Factory studio in New York, intended originally as an ad campaign for the New York Daily News (c. 1967), a concept never realized – Catalogue raisonné: Feldman&Schellmann IIIB.1, p.256 – Exhibited: Featured in Warhol: Headlines at The Andy Warhol Museum (Pittsburgh, 2012–13) // This dynamic screen-print appropriates a Daily News front page dated November 13, 1967, headlined “LBJ to Kremlin – Y’All Come,” referencing President Johnson’s diplomatic overtures toward the Soviet Union. Warhol sets this charged news content against radiant industrial Day Glo hues—neon green, pink, orange, and purple—overlaid with abstracted, oversized floral motifs and graphic shapes. The stark contrast between the sterile monochrome newspaper and the fluorescent overlay underscores his fascination with mass media and the sensationalism of current events, filtered through the Pop Art lens. The repeated floral and amoeba-like forms lend the composition an almost cellular or viral quality, as if the news itself is visually propagating. The overall effect is bold, irreverent, and richly evocative, offering commentary on how media images infiltrate public consciousness. Daily News belongs to Warhol’s broader Headlines series, a comparatively underexplored yet conceptually rich body of work in which he appropriated tabloid front pages—touching on celebrity, politics, crisis, and spectacle. The series was spotlighted in the 2012–13 Warhol: Headlines retrospective, which assembled approximately 80 works across diverse media. Warhol’s preoccupation with the quotidian nature of news—its visual ubiquity and emotional resonance—aligns directly with his Pop Art agenda: elevating everyday images to the status of high art and employing industrial production processes. In this print, the newspaper functions both as commodity and concept, merging commercial imagery with artistic intervention.

Artwork Copyright © Andy Warhol

Daily News - LBJ to Kremlin – Y'all Come, 1967

form

Medium

Edition

– Medium: Silkscreen print in Day-Glo colours on wove paper – Dimensions: 127.1×76.5cm (50×30.25 in.)—full sheet – Edition of 35, not numbered or signed—each impression carries estate stamp on the verso – Production: Printed at Warhol’s Factory studio in New York, intended originally as an ad campaign for the New York Daily News (c. 1967), a concept never realized – Catalogue raisonné: Feldman&Schellmann IIIB.1, p.256 – Exhibited: Featured in Warhol: Headlines at The Andy Warhol Museum (Pittsburgh, 2012–13) // This dynamic screen-print appropriates a Daily News front page dated November 13, 1967, headlined “LBJ to Kremlin – Y’All Come,” referencing President Johnson’s diplomatic overtures toward the Soviet Union. Warhol sets this charged news content against radiant industrial Day Glo hues—neon green, pink, orange, and purple—overlaid with abstracted, oversized floral motifs and graphic shapes. The stark contrast between the sterile monochrome newspaper and the fluorescent overlay underscores his fascination with mass media and the sensationalism of current events, filtered through the Pop Art lens. The repeated floral and amoeba-like forms lend the composition an almost cellular or viral quality, as if the news itself is visually propagating. The overall effect is bold, irreverent, and richly evocative, offering commentary on how media images infiltrate public consciousness. Daily News belongs to Warhol’s broader Headlines series, a comparatively underexplored yet conceptually rich body of work in which he appropriated tabloid front pages—touching on celebrity, politics, crisis, and spectacle. The series was spotlighted in the 2012–13 Warhol: Headlines retrospective, which assembled approximately 80 works across diverse media. Warhol’s preoccupation with the quotidian nature of news—its visual ubiquity and emotional resonance—aligns directly with his Pop Art agenda: elevating everyday images to the status of high art and employing industrial production processes. In this print, the newspaper functions both as commodity and concept, merging commercial imagery with artistic intervention.

Artwork Copyright © Andy Warhol

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Andy Warhol

Daily News - LBJ To Kremlin – Y'all Come, 1967

Limited Edition Print

Silkscreen

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Limited Edition Print

Screen-print

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Limited Edition Print

Offset Print

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Limited Edition Print

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USD 7,200

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USD 9,600

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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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What is pop-art?

Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

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Andy WARHOL | Daily News ('LBJ to Kremlin – Y'all'Come') | Silkscreen  available for sale on composition gallery

Andy Warhol

Daily News - LBJ To Kremlin – Y'all Come, 1967

Limited Edition Print

Silkscreen

USD 20,000

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