Details
Artist
Styles
Screenprint in Colors - Published by Chalk and Vermillion Fine Arts // Gray Day by Alex Katz is a striking screen print in colors that showcases the artist's signature minimalistic yet bold portraiture style. The artwork features a close-up of a figure wearing large sunglasses and a red cap, set against a muted beach landscape. The simplified shapes and flat areas of color, especially in the figure's face and lips, emphasize Katz's focus on modern life and cool detachment. The background, with soft gray skies and a distant coastline, contrasts the vibrant red of the hat, creating a serene yet contemporary atmosphere. Published by Chalk and Vermillion Fine Arts, this piece reflects Katz's consistent exploration of portraiture with a sleek, graphic aesthetic.
Gray Day, 1992
form
Medium
Size
55.9 x 182.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Screenprint in Colors - Published by Chalk and Vermillion Fine Arts // Gray Day by Alex Katz is a striking screen print in colors that showcases the artist's signature minimalistic yet bold portraiture style. The artwork features a close-up of a figure wearing large sunglasses and a red cap, set against a muted beach landscape. The simplified shapes and flat areas of color, especially in the figure's face and lips, emphasize Katz's focus on modern life and cool detachment. The background, with soft gray skies and a distant coastline, contrasts the vibrant red of the hat, creating a serene yet contemporary atmosphere. Published by Chalk and Vermillion Fine Arts, this piece reflects Katz's consistent exploration of portraiture with a sleek, graphic aesthetic.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
