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Archival pigment inks on Entrada Rag Bright - 300 gsm fine art paper; signed and numbered in pencil - Edition of 100 // Coca-Cola Girl (Suite) by Alex Katz is a limited edition archival print created in 2018, featuring a striking dual portrait composition. The artwork presents the profile of a woman’s face, split into two contrasting halves. On the left, her features are rendered in warm tones against a bold red background, highlighting a lively and contemporary expression. On the right, the portrait is transformed into a grayscale image set against a black background, giving it a more introspective and timeless feel. Katz's minimalist style, marked by clean lines and flat color fields, emphasizes the woman’s distinct yet serene expression, blending modern commercial aesthetics with classic portraiture. Printed on fine art paper with archival pigment inks, this piece combines the ephemeral appeal of pop culture with the elegance of fine art.
Coca-Cola girl (Suite), 2018
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119.38 x 78.74 cm
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Details
Artist
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Archival pigment inks on Entrada Rag Bright - 300 gsm fine art paper; signed and numbered in pencil - Edition of 100 // Coca-Cola Girl (Suite) by Alex Katz is a limited edition archival print created in 2018, featuring a striking dual portrait composition. The artwork presents the profile of a woman’s face, split into two contrasting halves. On the left, her features are rendered in warm tones against a bold red background, highlighting a lively and contemporary expression. On the right, the portrait is transformed into a grayscale image set against a black background, giving it a more introspective and timeless feel. Katz's minimalist style, marked by clean lines and flat color fields, emphasizes the woman’s distinct yet serene expression, blending modern commercial aesthetics with classic portraiture. Printed on fine art paper with archival pigment inks, this piece combines the ephemeral appeal of pop culture with the elegance of fine art.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
