
Details
Artist
Styles
// Alex Katz's Camp (1990) is a limited edition woodcut print that showcases his minimalistic and abstract style. The artwork features a predominantly green and muted color palette with a subtle texture, evoking the sense of a natural, wooded environment. Three small orange rectangles are placed centrally in the lower half of the composition, serving as a focal point and creating a sense of contrast against the expansive green backdrop. The simplicity of forms and the sparseness of elements give the piece an introspective and meditative quality, inviting viewers to contemplate the subtle interplay of color and form.
Camp, 1990
form
Medium
Size
152.4 x 101.6 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
// Alex Katz's Camp (1990) is a limited edition woodcut print that showcases his minimalistic and abstract style. The artwork features a predominantly green and muted color palette with a subtle texture, evoking the sense of a natural, wooded environment. Three small orange rectangles are placed centrally in the lower half of the composition, serving as a focal point and creating a sense of contrast against the expansive green backdrop. The simplicity of forms and the sparseness of elements give the piece an introspective and meditative quality, inviting viewers to contemplate the subtle interplay of color and form.
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Alex Katz
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Limited Edition Print
Archival Print
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Alex Katz
Vincent With Open Mouth, 1974
Limited Edition Print
Etching And Aquatint
Inquire For Price
Alex Katz
The Flowers Portfolio (7 Works), 2021
Limited Edition Print
Archival Print
USD 100,000 - 120,000
Alex Katz
Green Jacket (from Alex & Ada Portfolio), 1990
Limited Edition Print
Screen-print
USD 9,700
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.