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Screenprint in colors on Somerset Satin White. From group portfolio The Edge of Awareness. Printed by Watanabe Studio, New York and published by ART for the World, Geneva, Switzerland, on the occasion of the 50th anniversary of the World Health Organization Signed and numbered to lower edge of each work. Dated to lower edge of three works ‘98’. Untitled (From The Edge of Awareness) (1998) by Sol LeWitt is a minimalist screenprint created for the Edge of Awareness portfolio, marking the 50th anniversary of the World Health Organization. Printed on Somerset Satin White paper, the work consists of two overlapping dark, curved forms rendered in subtly contrasting black tones. LeWitt's use of shape and texture—barely distinguishable at first glance—encourages slow, attentive viewing and reflects his enduring focus on form, concept, and systematic structure. Though visually restrained, the piece evokes quiet tension and spatial ambiguity, aligning with the portfolio’s themes of introspection and perception. Edition of 90 plus proofs.
Untitled (From The Edge of Awareness), 1998
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28.5 x 38.1 cm
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Details
Artist
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Screenprint in colors on Somerset Satin White. From group portfolio The Edge of Awareness. Printed by Watanabe Studio, New York and published by ART for the World, Geneva, Switzerland, on the occasion of the 50th anniversary of the World Health Organization Signed and numbered to lower edge of each work. Dated to lower edge of three works ‘98’. Untitled (From The Edge of Awareness) (1998) by Sol LeWitt is a minimalist screenprint created for the Edge of Awareness portfolio, marking the 50th anniversary of the World Health Organization. Printed on Somerset Satin White paper, the work consists of two overlapping dark, curved forms rendered in subtly contrasting black tones. LeWitt's use of shape and texture—barely distinguishable at first glance—encourages slow, attentive viewing and reflects his enduring focus on form, concept, and systematic structure. Though visually restrained, the piece evokes quiet tension and spatial ambiguity, aligning with the portfolio’s themes of introspection and perception. Edition of 90 plus proofs.
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