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Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #3 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of the Complex Forms series. This print presents a dynamic arrangement of colorful geometric shapes that interlock within an irregular abstract form, set against a deep olive-green background and framed by a black rectangular border. The bright facets of yellow, red, blue, green, and purple are juxtaposed with muted grays and textured surfaces, adding depth and complexity to the composition. The visual interplay of bold, saturated colors with softer tones creates a striking contrast, while the arrangement of polygons suggests both order and spontaneity. Signed and numbered in pencil, this limited-edition print was published by Matsumura in New York. It reflects LeWitt’s exploration of abstract geometric forms and the interaction of color and space in his conceptual works.
Plate #3 (from Complex Forms),, 1989
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76.2 x 57.2 cm
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Details
Artist
Styles
Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #3 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of the Complex Forms series. This print presents a dynamic arrangement of colorful geometric shapes that interlock within an irregular abstract form, set against a deep olive-green background and framed by a black rectangular border. The bright facets of yellow, red, blue, green, and purple are juxtaposed with muted grays and textured surfaces, adding depth and complexity to the composition. The visual interplay of bold, saturated colors with softer tones creates a striking contrast, while the arrangement of polygons suggests both order and spontaneity. Signed and numbered in pencil, this limited-edition print was published by Matsumura in New York. It reflects LeWitt’s exploration of abstract geometric forms and the interaction of color and space in his conceptual works.
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