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Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #4 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of the Complex Forms series. The composition features an abstract arrangement of multi-colored geometric shapes that interlock and overlap within an irregular form. These shapes, rendered in vibrant tones such as blue, yellow, green, red, and purple, are set against a deep black background, enhancing the contrast and visual impact. The vivid facets create a sense of movement and depth, while the composition is framed by a black border, emphasizing the defined yet fluid structure of the shapes. Signed and numbered in pencil, this print was published by Matsumura in New York, reflecting LeWitt’s distinctive exploration of geometric abstraction and his focus on the interplay between color, form, and space.
Plate #4 (from Complex Forms), 1989
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76.2 x 57.2 cm
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Details
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Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #4 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of the Complex Forms series. The composition features an abstract arrangement of multi-colored geometric shapes that interlock and overlap within an irregular form. These shapes, rendered in vibrant tones such as blue, yellow, green, red, and purple, are set against a deep black background, enhancing the contrast and visual impact. The vivid facets create a sense of movement and depth, while the composition is framed by a black border, emphasizing the defined yet fluid structure of the shapes. Signed and numbered in pencil, this print was published by Matsumura in New York, reflecting LeWitt’s distinctive exploration of geometric abstraction and his focus on the interplay between color, form, and space.
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