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Sol LeWitt’s Arcs from Four Corners (1986) is a meticulously structured woodcut that reflects the artist’s exploration of geometry and repetition in conceptual art. The composition is divided into four equal quadrants, each featuring a pattern of arcs emanating from one corner. The arcs are rendered in distinct color fields—red, blue, white, and yellow—contrasting with a black frame that defines the grid. The methodical arrangement and rhythmic curves invite viewers to consider the interplay of color, line, and form. Measuring 58 x 82 cm, this limited-edition print exemplifies LeWitt’s minimalist aesthetic and his dedication to systematic visual experimentation.
Arcs from Four Corners, 1986
form
Medium
Size
58 x 82 cm
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Edition
Price
Details
Artist
Styles
Sol LeWitt’s Arcs from Four Corners (1986) is a meticulously structured woodcut that reflects the artist’s exploration of geometry and repetition in conceptual art. The composition is divided into four equal quadrants, each featuring a pattern of arcs emanating from one corner. The arcs are rendered in distinct color fields—red, blue, white, and yellow—contrasting with a black frame that defines the grid. The methodical arrangement and rhythmic curves invite viewers to consider the interplay of color, line, and form. Measuring 58 x 82 cm, this limited-edition print exemplifies LeWitt’s minimalist aesthetic and his dedication to systematic visual experimentation.
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Sol LeWitt
Plate #1 (from Complex Forms), 1989
Limited Edition Print
Etching And Aquatint
Inquire For Price
Sol LeWitt
Plate #3 (from Complex Forms),, 1989
Limited Edition Print
Etching And Aquatint
USD 3,600
Sol LeWitt
Steps (Form Derived From A Cubic Rectangle), 1992
Limited Edition Print
Woodcut
EUR 5,900
Sol LeWitt
Cubes In Color On Color (Yellow/Purple), 2003
Limited Edition Print
Linocut
Currently Not Available
Sol LeWitt
Colors With Lines In Four Directions, Within A Black Border (Red), 1990
Limited Edition Print
Screen-print
Currently Not Available
What is Systems Art?
Systems Art refers to a group of artists who, during the late 1960s and early 1970s, used the frameworks of conceptualism and minimalism to create art that was responsive to its environment. Rejecting traditional art themes, they embraced aesthetic systems and experimented with diverse media. Systems Art often connected with contemporary political movements of the time, emphasizing the interrelationship between the artwork, its context, and the broader social and political environment.
