Sam Francis

Untitled, 1984

106.7 X 73 inch

« previous

Plate #3 (from Complex Forms),

next »

Plate #1 (from Complex Forms)

Sol LeWitt, Plate #2 (from Complex Forms), etching and aquatint. Cluster of multi-colored geometric shapes framed by a black rectangular border on a white background.

Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #2 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of his Complex Forms series. The work displays a tightly arranged cluster of geometric shapes rendered in a variety of vibrant colors—red, yellow, blue, green, and purple. These multi-colored facets form an abstract, irregular shape, set against a white background with a black rectangular border that frames the composition. The overlapping polygons appear to shift in space, creating a sense of depth and movement within the arrangement. This piece reflects LeWitt’s exploration of geometry, color, and abstraction, where the intricate arrangement of shapes conveys both structure and spontaneity. Signed and numbered in pencil, this print is part of a limited edition and was published by Matsumura in New York, reinforcing LeWitt’s influential role in conceptual and minimalist art.

Artwork Copyright © Sol LeWitt

Plate #2 (from Complex Forms), 1989

form

Medium

Edition

Etchings and aquatint on Arches paper - Signed and numbered in pencil - Series: Complex Forms - Published by Matsumura (Tomiko Liguori), New York, New York // Sol LeWitt, Plate #2 (from Complex Forms) is a 1989 etching and aquatint on Arches paper, part of his Complex Forms series. The work displays a tightly arranged cluster of geometric shapes rendered in a variety of vibrant colors—red, yellow, blue, green, and purple. These multi-colored facets form an abstract, irregular shape, set against a white background with a black rectangular border that frames the composition. The overlapping polygons appear to shift in space, creating a sense of depth and movement within the arrangement. This piece reflects LeWitt’s exploration of geometry, color, and abstraction, where the intricate arrangement of shapes conveys both structure and spontaneity. Signed and numbered in pencil, this print is part of a limited edition and was published by Matsumura in New York, reinforcing LeWitt’s influential role in conceptual and minimalist art.

Artwork Copyright © Sol LeWitt

Sol LeWitt

Tondo 3 (5 Point Star), 2002

Limited Edition Print

Linocut

USD 1,750

Sol LeWitt

Tondo 1 (3 Point Star), 2002

Limited Edition Print

Linocut

USD 1,750

Sol LeWitt

Ohne Titel (Blue Square), 1990

Limited Edition Print

Serigraph

USD 5,250

Sol LeWitt

Steps (Form Derived From A Cubic Rectangle), 1992

Limited Edition Print

Woodcut

EUR 5,900

Sol LeWitt

Colors With Lines In Four Directions, Within A Black Border (Red), 1990

Limited Edition Print

Screen-print

USD 2,500

Sol LeWitt

Plate #5 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Plate #4 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Plate #3 (from Complex Forms),, 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Plate #2 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Plate #1 (from Complex Forms), 1989

Limited Edition Print

Etching And Aquatint

USD 3,600

Sol LeWitt

Arcs From Four Corners, 1986

Limited Edition Print

Woodcut

Currently Not Available

Sol LeWitt

Complex Forms II, 1990

Limited Edition Print

Etching

Currently Not Available

Stay Updated on Sol LeWitt

Subscribe to receive updates on new artworks, exhibitions and news about Sol LeWitt.

We respect your privacy and protect your information.

What is Systems Art?

Systems Art refers to a group of artists who, during the late 1960s and early 1970s, used the frameworks of conceptualism and minimalism to create art that was responsive to its environment. Rejecting traditional art themes, they embraced aesthetic systems and experimented with diverse media. Systems Art often connected with contemporary political movements of the time, emphasizing the interrelationship between the artwork, its context, and the broader social and political environment.

RECENTLY VIEWED

-->