
Rufino Tamayo Catalogue Raisonné prints 1925-1991, page 215.
'Hombre' by Rufino Tamayo is a lithograph depicting a flattened, frontal figure rendered in ochre-yellow against a dense, textured charcoal ground. Arms raised wide, the form has minimal facial features — two dot eyes, a short horizontal mouth — and a vertical red-orange stripe running through its torso and legs, functioning less as garment than as structural element. Tamayo trained his practice on universal archetypes rather than political symbol-making, and this figure carries that intent: it is generic enough to be everyman, monumental enough to carry weight. The print's textured surface reflects Tamayo's sustained interest in pushing graphic media toward the tactile density more typical of paint. Rooted in the simplified, frontal forms of pre-Columbian sculpture and filtered through a Cubist economy of line, 'Hombre' is characteristic of his graphic work of this period.
Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.
Hombre, 1979
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Rufino Tamayo Catalogue Raisonné prints 1925-1991, page 215.
'Hombre' by Rufino Tamayo is a lithograph depicting a flattened, frontal figure rendered in ochre-yellow against a dense, textured charcoal ground. Arms raised wide, the form has minimal facial features — two dot eyes, a short horizontal mouth — and a vertical red-orange stripe running through its torso and legs, functioning less as garment than as structural element. Tamayo trained his practice on universal archetypes rather than political symbol-making, and this figure carries that intent: it is generic enough to be everyman, monumental enough to carry weight. The print's textured surface reflects Tamayo's sustained interest in pushing graphic media toward the tactile density more typical of paint. Rooted in the simplified, frontal forms of pre-Columbian sculpture and filtered through a Cubist economy of line, 'Hombre' is characteristic of his graphic work of this period.
Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

Rufino Tamayo
Hombre, 1979
37.5 x 27 cm
























