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Hand-signed and numbered in pencil, titled in pencil verso bottom in the right corner. Published in 1969 as a part of the 'Mujeres' suite, a portfolio that consists of 16 lithographs that portray women in various forms. Published by Touchstone Pub. Printed by Desjobert, Paris. Reference: Pereda 116. A very small, hardly noticeable 1 cm tear in the far lower-left corner. Femme au Collant Rose by Rufino Tamayo is a 1969 lithograph from the Mujeres portfolio, a suite of sixteen prints exploring the female figure through Tamayo’s distinctive blend of modernism and Mexican artistic traditions. Framed within a monumental archway, the standing woman is rendered with simplified forms, rich earthy tones, and expressive textures. Her mask-like face and elongated proportions create an atmosphere that is both enigmatic and timeless, while the restrained interior setting and isolated sphere add a quiet sense of symbolism. Rather than portraying an individual sitter, Tamayo presents an archetypal figure that evokes dignity, mystery, and introspection. Printed by Desjobert in Paris and published by Touchstone Publications, the lithograph was issued in an edition of 150 and is hand signed and numbered in pencil.
Femme au Collant Rose, 1969
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76.2 x 57.2 cm
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Details
Artist
Styles
Hand-signed and numbered in pencil, titled in pencil verso bottom in the right corner. Published in 1969 as a part of the 'Mujeres' suite, a portfolio that consists of 16 lithographs that portray women in various forms. Published by Touchstone Pub. Printed by Desjobert, Paris. Reference: Pereda 116. A very small, hardly noticeable 1 cm tear in the far lower-left corner. Femme au Collant Rose by Rufino Tamayo is a 1969 lithograph from the Mujeres portfolio, a suite of sixteen prints exploring the female figure through Tamayo’s distinctive blend of modernism and Mexican artistic traditions. Framed within a monumental archway, the standing woman is rendered with simplified forms, rich earthy tones, and expressive textures. Her mask-like face and elongated proportions create an atmosphere that is both enigmatic and timeless, while the restrained interior setting and isolated sphere add a quiet sense of symbolism. Rather than portraying an individual sitter, Tamayo presents an archetypal figure that evokes dignity, mystery, and introspection. Printed by Desjobert in Paris and published by Touchstone Publications, the lithograph was issued in an edition of 150 and is hand signed and numbered in pencil.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
