
Catalogued in the book Rufino Tamayo, Catalogue Raisonné Gráfica / Prints 1925-1991.
Rufino Tamayo’s Personaje sentado (Seated Figure, 1976) is an etching that exemplifies the artist’s distinctive fusion of modernist abstraction and symbolic figuration. The composition presents a solitary seated figure rendered in luminous yellow-green tones against a simplified background divided into fields of color. The elongated form, textured surface, and mask-like facial features lend the figure a timeless, almost archetypal presence. Rather than depicting a specific individual, Tamayo creates a universal image of human contemplation and existence. Throughout his career, the Mexican artist combined influences from pre-Columbian art, popular culture, and modern painting, developing a visual language that balances monumentality with intimacy. In Personaje sentado, the restrained composition and rich tonal contrasts evoke both stillness and psychological depth, hallmarks of Tamayo’s mature work.
Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.
Personaje sentado, 1976
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Catalogued in the book Rufino Tamayo, Catalogue Raisonné Gráfica / Prints 1925-1991.
Rufino Tamayo’s Personaje sentado (Seated Figure, 1976) is an etching that exemplifies the artist’s distinctive fusion of modernist abstraction and symbolic figuration. The composition presents a solitary seated figure rendered in luminous yellow-green tones against a simplified background divided into fields of color. The elongated form, textured surface, and mask-like facial features lend the figure a timeless, almost archetypal presence. Rather than depicting a specific individual, Tamayo creates a universal image of human contemplation and existence. Throughout his career, the Mexican artist combined influences from pre-Columbian art, popular culture, and modern painting, developing a visual language that balances monumentality with intimacy. In Personaje sentado, the restrained composition and rich tonal contrasts evoke both stillness and psychological depth, hallmarks of Tamayo’s mature work.
Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

Rufino Tamayo
Personaje sentado, 1976
76 x 56 cm
























