Rufino Tamayo – Hombre en rosa, 1984 – Etching

Cataloged in Rufino TAMAYO Catalog Raisonné graphic / prints 1925-1991. Pereda, 316

'Hombre en rosa' by Rufino Tamayo is a 1984 etching measuring 76 × 56 cm. Against a mottled grey ground divided by a dark horizontal band at the base, two flat forms stand side by side: a deep green column that pinches and crosses at its centre, and a rose-pink silhouette of a human figure with arms akimbo, rendered in broad, schematic strokes. The textured surface — characteristic of Tamayo's printmaking — gives both forms a grainy, abraded quality that pushes against their graphic simplicity. Tamayo spent his career resisting the politically charged muralism of his Mexican contemporaries, favouring universal figurative archetypes and chromatic tension over ideological content. The pairing of a geometric form with a solitary human outline is consistent with that project: stripped of cultural specificity, the figure becomes a type rather than a subject.

Artwork Copyright © Rufino Tamayo

Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.

Artwork Copyright © Rufino Tamayo

Hombre en rosa, 1984

Form

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Cataloged in Rufino TAMAYO Catalog Raisonné graphic / prints 1925-1991. Pereda, 316

'Hombre en rosa' by Rufino Tamayo is a 1984 etching measuring 76 × 56 cm. Against a mottled grey ground divided by a dark horizontal band at the base, two flat forms stand side by side: a deep green column that pinches and crosses at its centre, and a rose-pink silhouette of a human figure with arms akimbo, rendered in broad, schematic strokes. The textured surface — characteristic of Tamayo's printmaking — gives both forms a grainy, abraded quality that pushes against their graphic simplicity. Tamayo spent his career resisting the politically charged muralism of his Mexican contemporaries, favouring universal figurative archetypes and chromatic tension over ideological content. The pairing of a geometric form with a solitary human outline is consistent with that project: stripped of cultural specificity, the figure becomes a type rather than a subject.

Artwork Copyright © Rufino Tamayo

Rufino Tamayo (Mexico, 1899–1991) blended modernism with Mexican heritage, creating bold, color-driven paintings and prints. Influenced by Zapotec culture, he avoided political narratives, focusing instead on universal themes and textured surfaces. His innovative use of color and form helped redefine 20th-century Mexican art beyond muralism.

Artwork Copyright © Rufino Tamayo
Rufino Tamayo – Figura en negro, 1980 – Etching

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Rufino Tamayo – Cabeza con iniciales, 1975 – Mixed Media

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Rufino Tamayo – Hombre, 1979 – Lithograph

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Limited Edition Print

Lithograph

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Rufino Tamayo – Hombre en rosa, 1984 – Etching

Rufino Tamayo

Hombre en rosa, 1984

Limited Edition Print

Etching

EUR 4,350

Rufino Tamayo – Femme au Collant Rose, 1969 – Lithograph

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Limited Edition Print

Lithograph

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Rufino Tamayo – Personaje sentado, 1976 – Etching

Rufino Tamayo

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Limited Edition Print

Etching

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Inquire For Price

Rufino Tamayo – Dos Figuras, 1973 – Lithograph

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Limited Edition Print

Lithograph

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Rufino Tamayo – Mujer con sandia, 1950 – Lithograph

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Limited Edition Print

Lithograph

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Rufino Tamayo – Bodegón, 1980 – Etching

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Limited Edition Print

Etching

EUR 5,200

Rufino Tamayo – Torre Blanca, P. 197, 1976 – Etching

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Limited Edition Print

Etching

USD 5,500

Rufino Tamayo – Dos Figuras, P. 205, 1976 – Etching

Rufino Tamayo

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Limited Edition Print

Etching

USD 6,600

Rufino Tamayo – Cabeza Sur Fonde Verte, P. 258, 1984 – Etching

Rufino Tamayo

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Limited Edition Print

Etching

USD 6,600

Rufino Tamayo – Figura Sobre Azur, 1976 – Etching

Rufino Tamayo

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Limited Edition Print

Etching

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What is Surrealism?

What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

Rufino Tamayo – Hombre en rosa, 1984 – Etching

Rufino Tamayo

Hombre en rosa, 1984

76 x 56 cm

Est. 2005 — twenty years of collecting, online.