Details
Artist
Styles
Dos Figuras, P.205 exemplifies Rufino Tamayo's distinctive formal vocabulary applied to the exploration of human figuration within the etching medium. Executed in 1976 in a complex edition with artist proofs in various states, the work demonstrates Tamayo's sustained dialogue with abstraction and figural suggestion. The composition celebrates the artist's mature vision synthesizing modernist geometric sensibility with the warmth of human presence and emotional specificity.
Dos Figuras, P. 205, 1976
form
Medium
Size
55.9 x 74.9 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Dos Figuras, P.205 exemplifies Rufino Tamayo's distinctive formal vocabulary applied to the exploration of human figuration within the etching medium. Executed in 1976 in a complex edition with artist proofs in various states, the work demonstrates Tamayo's sustained dialogue with abstraction and figural suggestion. The composition celebrates the artist's mature vision synthesizing modernist geometric sensibility with the warmth of human presence and emotional specificity.
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Rufino Tamayo
Femme Au Collant Rose, 1969
Limited Edition Print
Lithograph
EUR 2,600
Rufino Tamayo
Personaje Sentado, 1976
Limited Edition Print
Etching
EUR 4,375
Rufino Tamayo
Untitled (Textile), 1960s
Tapestry
Tapestry
Inquire For Price
Rufino Tamayo
Monolito, 1981
Sculpture / Object
Mixed Media
Inquire For Price
Rufino Tamayo
Dos Figuras, 1973
Limited Edition Print
Lithograph
USD 5,980
Rufino Tamayo
Mujer Con Sandia, 1950
Limited Edition Print
Lithograph
EUR 5,000
Rufino Tamayo
Bodegón, 1980
Limited Edition Print
Etching
EUR 5,200
Rufino Tamayo
Torre Blanca, P. 197, 1976
Limited Edition Print
Etching
USD 5,500
Rufino Tamayo
Dos Figuras, P. 205, 1976
Limited Edition Print
Etching
USD 6,600
Rufino Tamayo
Cabeza Sur Fonde Verte, P. 258, 1984
Limited Edition Print
Etching
USD 6,600
Rufino Tamayo
Figura Sobre Azur, 1976
Limited Edition Print
Etching
USD 5,200
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
