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Óvalo en el rojo (de la serie Síntesis) - silkscreen on Plexiglas with metal rods - Signed and numbered on a label affixed to the reverse. // Óvalo en el rojo by Rafael Jesús Soto, created in 1979, is a mixed-media artwork that showcases his signature approach to kinetic and optical art. Part of the Síntesis series, this piece incorporates silkscreen on Plexiglas, framed with metal rods to create a layered effect. The composition centers on an oval filled with tightly spaced black lines, set against a vibrant red background with orange lines extending horizontally across the surface. The layered structure and linework produce an optical illusion of movement and depth, challenging the viewer's perception as they move around it. This piece exemplifies Soto's exploration of spatial dynamics and visual interaction, creating an immersive and dynamic experience.
Óvalo en el rojo, 1979
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38.7 x 38.7 X 13.5 cm
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Details
Artist
Styles
Óvalo en el rojo (de la serie Síntesis) - silkscreen on Plexiglas with metal rods - Signed and numbered on a label affixed to the reverse. // Óvalo en el rojo by Rafael Jesús Soto, created in 1979, is a mixed-media artwork that showcases his signature approach to kinetic and optical art. Part of the Síntesis series, this piece incorporates silkscreen on Plexiglas, framed with metal rods to create a layered effect. The composition centers on an oval filled with tightly spaced black lines, set against a vibrant red background with orange lines extending horizontally across the surface. The layered structure and linework produce an optical illusion of movement and depth, challenging the viewer's perception as they move around it. This piece exemplifies Soto's exploration of spatial dynamics and visual interaction, creating an immersive and dynamic experience.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
