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Screen-print on plastic and metal. Signed and numbered at the back. // Permutation by Jesús Rafael Soto, created between 1955 and 1978, is an object-based artwork that exemplifies the artist's exploration of kinetic and optical art. This piece consists of a screen-printed pattern of black and white vertical stripes on a plastic surface, structured to interact with the viewer’s perception. The arrangement creates an illusion of movement and depth, a hallmark of Soto’s work, where slight changes in the viewer's perspective cause the patterns to shift and vibrate visually. The rigid metal components stabilize the piece, allowing it to maintain its precise alignment while enhancing the optical effect. Measuring 21 x 15 x 10 cm and part of a limited edition of 120, each piece is signed and numbered on the back, showcasing Soto's dedication to blending art with perceptual experience and challenging the boundaries between static and dynamic forms.
Permutation, 1955-1978
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21 x 15 X 10 cm
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Details
Artist
Styles
Screen-print on plastic and metal. Signed and numbered at the back. // Permutation by Jesús Rafael Soto, created between 1955 and 1978, is an object-based artwork that exemplifies the artist's exploration of kinetic and optical art. This piece consists of a screen-printed pattern of black and white vertical stripes on a plastic surface, structured to interact with the viewer’s perception. The arrangement creates an illusion of movement and depth, a hallmark of Soto’s work, where slight changes in the viewer's perspective cause the patterns to shift and vibrate visually. The rigid metal components stabilize the piece, allowing it to maintain its precise alignment while enhancing the optical effect. Measuring 21 x 15 x 10 cm and part of a limited edition of 120, each piece is signed and numbered on the back, showcasing Soto's dedication to blending art with perceptual experience and challenging the boundaries between static and dynamic forms.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.