Sam Francis

Untitled, 1984

106.7 X 73 inch

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Small metal plate in front of coloured panel - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Homenaje al Humano is a mixed-media sculpture that explores the dynamic relationship between form, space, and viewer perception. The work consists of a grid of black metal plates arranged in front of a striped background, with one distinctive orange plate disrupting the uniformity. The interplay of light and shadow across the surfaces of the plates creates a kinetic effect as the viewer moves around the piece, making the composition seem to shift and change with each new angle. Soto’s use of geometry, minimalism, and optical illusions invites the audience to actively engage with the work, creating a dialogue between the physical structure and the perceptual experience. The single orange plate serves as a focal point, offering a subtle yet powerful contrast to the monochromatic elements. This work, signed and numbered on the reverse, exemplifies Soto’s commitment to kinetic and optical art, where movement and perception are key components.

Artwork Copyright © Rafael Jesus Soto

Rafael Jesus Soto

Homenaje al humano, 1976

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50 x 66 X 14   cm
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Small metal plate in front of coloured panel - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Homenaje al Humano is a mixed-media sculpture that explores the dynamic relationship between form, space, and viewer perception. The work consists of a grid of black metal plates arranged in front of a striped background, with one distinctive orange plate disrupting the uniformity. The interplay of light and shadow across the surfaces of the plates creates a kinetic effect as the viewer moves around the piece, making the composition seem to shift and change with each new angle. Soto’s use of geometry, minimalism, and optical illusions invites the audience to actively engage with the work, creating a dialogue between the physical structure and the perceptual experience. The single orange plate serves as a focal point, offering a subtle yet powerful contrast to the monochromatic elements. This work, signed and numbered on the reverse, exemplifies Soto’s commitment to kinetic and optical art, where movement and perception are key components.

Artwork Copyright © Rafael Jesus Soto
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Rafael Jesús Soto Óvalo en el rojo mixed-media artwork with black oval lines on red background, layered with horizontal orange lines.

Rafael Jesus Soto

Óvalo En El Rojo, 1979

Sculpture / Object

Mixed Media

USD 8,950

Jesús Rafael Soto's Sans Titre, 2001, acrylic sculpture with black vertical lines, abstract black design, and solid blue rectangle on white frame.

Rafael Jesus Soto

Sans Titre, 2001

Sculpture / Object

Acrylic Sculpture

EUR 2,800

Jesús Rafael Soto's Permutation, 1955-1978, object artwork with black and white vertical striped screen-print on plastic, creating optical movement.

Rafael Jesus Soto

Permutation, 1955-1978

Sculpture / Object

Object

EUR 5,500

Rafael Jesus Soto’s Permutacion, 1979, vertical lines and a central black bar create optical movement in a screenprinted Plexiglas and chrome-plated steel structure.

Rafael Jesus Soto

Permutacion, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto’s La Escalera Azul, 1979, mixed media with blue and black forms on striped Plexiglas, creating optical illusion of movement.

Rafael Jesus Soto

La Escalera Azul , 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesús Soto Cuadrado y Curvas Virtuales, mixed-media with yellow square and wavy black lines creating optical illusion on Plexiglas.

Rafael Jesus Soto

Cuadrado Y Curvas Virtuales, 1979

Sculpture / Object

Mixed Media

USD 8,950

Jesús Rafael Soto's Mirroire, 2005, glass sculpture with blue and black striped plexiglass frame around a central mirror, creating optical depth and movement.

Rafael Jesus Soto

Mirroire, 2005

Sculpture / Object

Glass

EUR 10,000

Jesús Rafael Soto screenprint with blue, gray, and layered horizontal lines creating optical vibration, signed and numbered, 1976

Rafael Jesus Soto

Untitled (Blue Horizon Lines), 1976

Limited Edition Print

Screen-print

USD 1,850

Rafael Jesús Soto’s Untitled (Circles and Lines), screen print, features black, green, and blue horizontal lines over a circular form, creating optical illusions of depth and movement.

Rafael Jesus Soto

Untitled (circles And Lines), 1970

Limited Edition Print

Screen-print

EUR 3,700

Rafael Jesús Soto's Composición, 1971, silkscreen print with a large blue circle, concentric lines, and horizontal bands of black and white.

Rafael Jesus Soto

Composición, 1971

Limited Edition Print

Silkscreen

EUR 3,100

Rafael Jesus Soto’s Escritura, 1979, mixed media sculpture with abstract black lines on Plexiglas panels, creating an optical illusion of movement.

Rafael Jesus Soto

Escritura, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto’s Sotomagie II, 1967, mixed media sculpture with intersecting black, white, red, and yellow lines and dots on Plexiglas.

Rafael Jesus Soto

Sotomagie II, 1967

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto's Caroni, silkscreen print, horizontal bands of blue and grey with four black squares, geometric and optical composition, 1971.

Rafael Jesus Soto

Caroni, 1971

Limited Edition Print

Silkscreen

EUR 1,270

Rafael Jesus Soto Untitled (Silver Lines) screen-print with layered metallic silver lines creating optical movement and depth.

Rafael Jesus Soto

Untitled (Silver Lines)

Limited Edition Print

Screen-print

GBP 2,800

Rafael Jesús Soto's Homage to Federico Garcia Lorca silkscreen with deep blue and red fields, featuring a gold cross piercing the red.

Rafael Jesus Soto

Homage To Federico Garcia Lorca, 1999

Limited Edition Print

Silkscreen

EUR 800

Rafael Jesus Soto's Vibrations, 1967 acrylic sculpture with silkscreen on plexiglass, featuring intersecting black lines creating optical effects.

Rafael Jesus Soto

Vibrations, 1967

Sculpture / Object

Acrylic Sculpture

Inquire For Price

Rafael Jesus Soto’s Espiral Doble, 1979, mixed media artwork with two overlapping spirals on Plexiglas panels, creating an optical illusion of movement.

Rafael Jesus Soto

Espiral Doble, 1979

Sculpture / Object

Mixed Media

USD 8,950

Rafael Jesus Soto’s Dos Cuadraditos, 1972, kinetic sculpture with black and blue squares on striped background, wood and metal.

Rafael Jesus Soto

Dos Cuadraditos, 1972

Sculpture / Object

Object

Currently Not Available

Rafael Jesús Soto's Spiral, silkscreen print of black concentric curved lines on white, creating an optical illusion of depth and movement.

Rafael Jesus Soto

Spiral, 1955-83

Limited Edition Print

Silkscreen

Currently Not Available

Rafael Jesus Soto's Cube with Ambiguous Space, 1981, acrylic cube with blue and black screen-printed lines creating optical depth and spatial illusion.

Rafael Jesus Soto

Cube With Ambiguous Space , 1981

Sculpture / Object

Object

Currently Not Available

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ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.

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