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From Síntesis Series - Silkscreen on two Plexiglas panels with steel rods - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Espiral Doble is a captivating mixed-media artwork that plays with optical effects and spatial perception. Part of the Síntesis series, the piece consists of two Plexiglas panels, each featuring a silkscreened spiral pattern that, when viewed together, create a dynamic and immersive visual experience. The overlay of spirals produces an illusion of movement, as if the spirals are shifting or vibrating as the viewer changes their perspective. The use of steel rods to suspend the Plexiglas panels adds depth to the composition, emphasizing the sense of dimensionality and interaction between the patterns. Signed and numbered on the reverse, this work exemplifies Soto’s mastery of kinetic art, where light, form, and viewer perception are central elements.
Espiral Doble, 1979
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39 x 39 X 15 cm
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From Síntesis Series - Silkscreen on two Plexiglas panels with steel rods - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Espiral Doble is a captivating mixed-media artwork that plays with optical effects and spatial perception. Part of the Síntesis series, the piece consists of two Plexiglas panels, each featuring a silkscreened spiral pattern that, when viewed together, create a dynamic and immersive visual experience. The overlay of spirals produces an illusion of movement, as if the spirals are shifting or vibrating as the viewer changes their perspective. The use of steel rods to suspend the Plexiglas panels adds depth to the composition, emphasizing the sense of dimensionality and interaction between the patterns. Signed and numbered on the reverse, this work exemplifies Soto’s mastery of kinetic art, where light, form, and viewer perception are central elements.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.