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Color lithograph on Arches paper - Unique Trial Proof - Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin. // Josef Albers's Midnight + Noon I (1964) is a minimalist lithograph that exemplifies his exploration of color interaction and geometric abstraction. This unique trial proof, printed on Arches paper, features a composition of nested squares in various shades of black and gray, creating a subtle gradient effect. The artwork's focus on tonal variation highlights Albers's interest in the perception of color and light, as well as the illusion of depth and spatial relationships. The precise arrangement of squares invites viewers to engage with the nuances of shadow and contrast, embodying Albers's disciplined, methodical approach to abstraction. The print is signed, titled, dated, and inscribed as a Trial Proof in pencil along the lower margin, adding to its uniqueness and collectible value.
Midnight + Noon I, 1964
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40 x 40 cm
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Details
Artist
Styles
Color lithograph on Arches paper - Unique Trial Proof - Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin. // Josef Albers's Midnight + Noon I (1964) is a minimalist lithograph that exemplifies his exploration of color interaction and geometric abstraction. This unique trial proof, printed on Arches paper, features a composition of nested squares in various shades of black and gray, creating a subtle gradient effect. The artwork's focus on tonal variation highlights Albers's interest in the perception of color and light, as well as the illusion of depth and spatial relationships. The precise arrangement of squares invites viewers to engage with the nuances of shadow and contrast, embodying Albers's disciplined, methodical approach to abstraction. The print is signed, titled, dated, and inscribed as a Trial Proof in pencil along the lower margin, adding to its uniqueness and collectible value.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
