Sam Francis

Untitled, 1984

106.7 X 73 inch

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Variants II, from Ten Variants

Josef Albers's Midnight + Noon I, lithograph, features nested squares in black and gray tones, exploring tonal variation and depth.

Color lithograph on Arches paper - Unique Trial Proof - Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin. // Josef Albers's Midnight + Noon I (1964) is a minimalist lithograph that exemplifies his exploration of color interaction and geometric abstraction. This unique trial proof, printed on Arches paper, features a composition of nested squares in various shades of black and gray, creating a subtle gradient effect. The artwork's focus on tonal variation highlights Albers's interest in the perception of color and light, as well as the illusion of depth and spatial relationships. The precise arrangement of squares invites viewers to engage with the nuances of shadow and contrast, embodying Albers's disciplined, methodical approach to abstraction. The print is signed, titled, dated, and inscribed as a Trial Proof in pencil along the lower margin, adding to its uniqueness and collectible value.

Artwork Copyright © Josef Albers

Midnight + Noon I, 1964

form

Medium

Edition

Color lithograph on Arches paper - Unique Trial Proof - Signed, titled, dated and inscribed "Trial Proof" in pencil, lower margin. // Josef Albers's Midnight + Noon I (1964) is a minimalist lithograph that exemplifies his exploration of color interaction and geometric abstraction. This unique trial proof, printed on Arches paper, features a composition of nested squares in various shades of black and gray, creating a subtle gradient effect. The artwork's focus on tonal variation highlights Albers's interest in the perception of color and light, as well as the illusion of depth and spatial relationships. The precise arrangement of squares invites viewers to engage with the nuances of shadow and contrast, embodying Albers's disciplined, methodical approach to abstraction. The print is signed, titled, dated, and inscribed as a Trial Proof in pencil along the lower margin, adding to its uniqueness and collectible value.

Artwork Copyright © Josef Albers

Josef Albers

Variants-III (from The Ten Variants Series), 1966

Limited Edition Print

Screen-print

Inquire For Price

Josef Albers

Late, From Soft Edge-Hard Edge, 1965

Limited Edition Print

Screen-print

USD 10,000 - 15,000

Josef Albers

Midnight + Noon I, 1964

Limited Edition Print

Lithograph

USD 40,000 - 50,000

Josef Albers

Variants II, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants I, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

Variants IV, From Ten Variants, 1966

Limited Edition Print

Screen-print

USD 5,400

Josef Albers

I-S VA 4 (from Six Variants Suite), 1969

Limited Edition Print

Screen-print

USD 5,000 - 7,000

Josef Albers

Homage To Square, 1971

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

GB 2 (From Homage To The Square), 1969

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Concord (From Dei Oberflache), 1965

Limited Edition Print

Screen-print

Currently Not Available

Josef Albers

Homage To The Square, 1970

Limited Edition Print

Screen-print

Currently Not Available

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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