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Pigment print on 308 g/m² Photo Rag on Alu-Dibond; Signed and numbered on the back; Unframed // Ulrike Meinhof by Gerhard Richter is a contemplative pigment print from 2015, depicting the German journalist and revolutionary associated with the Red Army Faction. This black-and-white portrait, rendered with Richter’s signature attention to detail, captures Meinhof’s serious, introspective expression, evoking both her intellectual intensity and the somberness surrounding her life and legacy. The print is produced on high-quality Photo Rag paper mounted on Alu-Dibond, giving it a textured, timeless quality that resonates with the historical significance of its subject. Signed and numbered on the back, this limited edition work invites viewers to reflect on Meinhof’s complex identity and the turbulent era she symbolized, while also highlighting Richter’s exploration of portraiture as a means to engage with history and memory.
Ulrike Meinhof , 2015
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51 x 50 cm
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Pigment print on 308 g/m² Photo Rag on Alu-Dibond; Signed and numbered on the back; Unframed // Ulrike Meinhof by Gerhard Richter is a contemplative pigment print from 2015, depicting the German journalist and revolutionary associated with the Red Army Faction. This black-and-white portrait, rendered with Richter’s signature attention to detail, captures Meinhof’s serious, introspective expression, evoking both her intellectual intensity and the somberness surrounding her life and legacy. The print is produced on high-quality Photo Rag paper mounted on Alu-Dibond, giving it a textured, timeless quality that resonates with the historical significance of its subject. Signed and numbered on the back, this limited edition work invites viewers to reflect on Meinhof’s complex identity and the turbulent era she symbolized, while also highlighting Richter’s exploration of portraiture as a means to engage with history and memory.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
