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Oil and pencil on paper. Signed and dated "22.1.84" and also signed and dated on the reverse. // Gerhard Richter's "L 8 (22.1.84)" is an intimate work on paper combining oil and pencil in a densely layered horizontal composition. Vivid greens, yellows, and reds interact through translucent washes and gestural strokes, reflecting Richter's parallel investigations into abstraction alongside his celebrated photo-paintings. Signed and dated January 22, 1984, the work belongs to a period when Richter was intensifying his exploration of painterly gesture as an autonomous means of expression. The elongated format enhances the dynamic movement of color across the surface, embodying Richter's rigorous questioning of painting's fundamental possibilities.
L 8 (22.1.84), 1984
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11.7 x 29.3 cm
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Details
Artist
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Oil and pencil on paper. Signed and dated "22.1.84" and also signed and dated on the reverse. // Gerhard Richter's "L 8 (22.1.84)" is an intimate work on paper combining oil and pencil in a densely layered horizontal composition. Vivid greens, yellows, and reds interact through translucent washes and gestural strokes, reflecting Richter's parallel investigations into abstraction alongside his celebrated photo-paintings. Signed and dated January 22, 1984, the work belongs to a period when Richter was intensifying his exploration of painterly gesture as an autonomous means of expression. The elongated format enhances the dynamic movement of color across the surface, embodying Richter's rigorous questioning of painting's fundamental possibilities.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
