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Black/white lacquer on Color photography. MV. 20 by Gerhard Richter, created in 2011, exemplifies the artist’s ongoing investigation into the intersections of photography and painting. This small, unique work features a found color photograph overpainted with black and white lacquer, partially obscuring and distorting the original image. The abstract forms, layered atop what appears to be an urban interior or architectural scene, create a tension between recognition and erasure. Richter’s overpainted photographs challenge the reliability of photographic truth, introducing painterly spontaneity to a mechanical medium. In this intimate format, the work invites close viewing and contemplation of memory, perception, and visual interference.
MV. 20, 2011
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10 x 15 cm
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Details
Artist
Styles
Black/white lacquer on Color photography. MV. 20 by Gerhard Richter, created in 2011, exemplifies the artist’s ongoing investigation into the intersections of photography and painting. This small, unique work features a found color photograph overpainted with black and white lacquer, partially obscuring and distorting the original image. The abstract forms, layered atop what appears to be an urban interior or architectural scene, create a tension between recognition and erasure. Richter’s overpainted photographs challenge the reliability of photographic truth, introducing painterly spontaneity to a mechanical medium. In this intimate format, the work invites close viewing and contemplation of memory, perception, and visual interference.
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Gerhard Richter
Abstraktes Bild, 1982 (Werk 503), 1982/2025
Limited Edition Print
Mixed Media
EUR 1,880
Gerhard Richter
Frau Mit Kind / Mother With Child, 1965 / 2005
Limited Edition Print
Offset Print
GBP 3,500 - 5,000
Gerhard Richter
Offset Of Abstract Painting, 1977
Limited Edition Print
Mixed Media
GBP 12,000 - 17,000
Gerhard Richter
Seestück (bewölkt), 1969/2022
Limited Edition Print
Digital Print On Paper
GBP 4,150
What is Capitalist Realism?
Capitalist Realism is a German form of political pop art that emerged in Cold War-era Berlin in 1963. It sought to challenge the dominance of American pop art in the Western world. The movement blended the ideologies of both pop art and socialist realism, offering a critique of consumer culture and political power.
